Here are some tunes I've written using some software called FruityLoops. They're named after the date they were begun, YY_MM_DD. This just in! I've finally named some of the tunes with real names!
Name
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Description |
lo-res
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med-res
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02_02_06a
That's Where I'm Headed |
Surf music with organ, Rhodes, watery, relaxed sound, 100 bpm | ||
02_06_29b
Party Like It's 2003 |
Party music with two saxes, funky bass line, 152 bpm | ||
02_07_18a
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Mostly rhythm, with bass, kalimba, and some horns, 118 bpm | ||
02_08_30a
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Col. Kurtz's speech about horror from Apocalypse Now, eerie whistle-like sound, strings, etc. 70 bpm | ||
03_01_27a
Orgy at the End of the World |
Dark choral music, electronic bassline, voices, drums, 90 bpm | ||
03_01_28a
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Sweet guitar, cello, flute theme, with french horns and strings filling out the second half, 45 bpm | ||
03_02_03a
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Movie music for tense hiding and chase theme, strings, eerie whistles, bongos, congas, 99bpm | ||
03_02_14b
Wake Up and Be Happy! |
Mambo theme "Wake up and be happy!", flute, full rhythm section, horns, vibraphone + steel drums, 130 bpm | ||
03_02_28b
When We All Meet Again |
Gospel inspired, two pianos, drums, voices, 50 bpm | ||
03_03_11a
Oh, Yeah |
Hard driving bassline, drums, horns, rhythm guitar, blistering guitar solo, 140 bpm | ||
03_03_20a
Like A Well Oiled Machine |
Funky, jazzy, groovy, nice bassline, with two saxes, guitar solo, horns, 100 bpm | ||
03_02_25c
In The Lights of The City |
Jazzy bass, piano, trumpet, sax, dignified, life in the big city, 64 bpm | ||
03_04_17a
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Movie music for tense, hiding, chase, with fight at end, strings, french horns, tympani, orchestral sound, with metal power guitar at end, 140 bpm | ||
03_04_21a
And Filled With Stars |
Mysterious, floating, wondrous, harp with strings, cello, french horns, wind chimes, 60 bpm | ||
03_05_27a
Look At Me (When I'm Talkin' To You) |
Funky, groovy, bassline with horns, guitar, full rhythm section, 119 bpm | ||
03_06_17a |
Bluesy with bassline, piano, guitar solo, 77 bpm | ||
03_07_01a
In Spite of Everything |
Optimistic, but with saudade, latin rhythm section, Rhodes piano, congas, steel drums, horns, 107 bpm | ||
03_08_02a
Don't You Tell Me You Love Me |
Cool house music with French Horns, Trombone, latin rhythm section, Rhodes piano, congas, 140 bpm |
Okay, this is something else I've done all my life, but never actually done anything with - music. But one of the good things about working for Starling Films, even though they never amounted to anything, was the realization that I had a large hidden potential as a composer. Somehow, the idea of writing music for movies enabled me to really expand my repertoire.
When I was 8, I took viola lessons at school. I had to be different, couldn't have a violin - too small for me! And not...different enough. Unfortunately, I never imagined that the viola never, ever plays the melody, so the only thing I remember about the recital was playing a bunch of disconnected notes that were supposed to uphold the melody lines being played by the - violins! - but I'm sure whatever we were putting out sounded totally cacophonous.
So when I was 9 or 10, I decided to do a different instrument, a horn, but again I had to be different, and chose the cornet. I don't even remember what became of that.
At 11 or 12, I took up the guitar, electric guitar, some no-name instrument for about $25. Now, there's an instrument you can practice and practice, and not make a lot of noise if you don't hook it up, or if you do hook it up but use headphones. I played all kinds of blues stuff, all the time. I liked Black Sabbath and Iron Maiden for a while, but never tried to play their stuff. Liked Led Zepellin too, but never tried to imitate Jimmy Plant. When I played, it was more like Chuck Berry, but also musicians like B.B. King, or the Allman Brothers. Never much liked Clapton. But Jimi Hendrix! He was the one I played most often, and my favorite album was Band of Gypsies. It's only 6 pieces, but it's got to be the best electric guitar music ever recorded.
Then I got a Gretsch and for a short while I had a band, Flattop and the Devastators. We never played for an audience, but we recorded a couple of tunes. If I can ever find the tape, I'll digitize them and put them in here.
I started playing classical guitar when I was about 25. Got a nice blonde Goya. I learned my first piece by ear, because I couldn't read music very well. After that, I learned to read music well enough to memorize a couple of measures at a time, and learned a dozen or so of the famous pieces by Granados, Torroba, Albeniz, etc., like what Segovia and John Williams play.
But then I got psoriasis, and it made my fingernails all crumbly, making it nearly impossible to play. After a while, other interests took precendence, and now, even though my nails are better, I can only play a couple of tunes by memory, and never seem to find the time to learn the rest that I used to know, much less any new ones.
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© 2003 Dale M. Greer, All rights reserved